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Abstract
painting is free of the representational demands that limit improvisation. |
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Abstract Expressionism |
In
contrast to the themes of social realism and regional life that characterized
American art of previous decades, these artists valued, above all, individuality
and spontaneous improvisation. They felt ill at ease with conventional
subjects and styles, neither of which could adequately convey their
new vision. In fact, style as such almost ceased to exist with the Abstract
Expressionists, and they drew their inspiration from all directions.
The painters who came to be called ``Abstract Expressionists'' shared
a similarity of outlook rather than of style-- an outlook characterized
by a spirit of revolt and a belief in freedom of expression. The main
exponents of the genre were Pollock, de Kooning, and Rothko, but other
artists included Guston, Kline, Newman and Still. The term Abstract
Expressionism was first used by Robert Coates in the March issue of
the New Yorker in 1936. The movement was hugely successful, partly due
to the efforts of the critics Harold Rosenberg and Clement Greenberg
who also originated the terms Action Painting and American Style.
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