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David
Pena
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. . The New York
Cityscape |
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![]() © David Beynon Pena 2006 |
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Back in the 60s - The Beat Generation The beats came out of the Times Square subterranean world of down-and-out, streetwise, urban mix of characters. The underbelly of the Times Square terrain induced and introduced the term "Beat Generation". They were free-wheeling, coast-to-coast, hitch-hiking, spontaneous, exploring the spontaneous prose of the moment. Benzedrine kept them awake. They were exploring the sub-conscious which was a lead-into the Surrealists, improvisational jazz, Eastern mysticism. The West coast beats fired the Ginsburg imagination. The winds of the 60s were already upon us. There was a Dada-Surrealist break-away from classical education and theories of modernism; a break-down to free forms of expression. DeKooning had some problems with this but Pollock had no trouble making this leap. He could take off running and push the boundaries of paintings. The east coast beats were more intelligentsia compared to the west coast beats who were more spiritualist. West Village Tenement Oil on Canvas 20" x 24" $ 4,590 |
![]() © David Beynon Pena 2006 |
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There
were the beat poets. The experimented with the Surreatlist ideas: Exquisite
Corpse, Automatic Writing.
A Peom about Baudellaire, "Beauth is everywhere" . . . "You had to make a dollar and hustle in the street." Let's drink cold water from a tin cup while on 57th Street they played bebop music. Museums
and artists were creating and experimenting with a new form of expressionism
or a less studied approach. There was that breaking up of sensibilities. Peck Slip and the Woolworth Building Oil on Canvas 30" x 25" $ 5,800
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| * Jack Michelin, Poet of the Streets, Stone
City * Jack Michelin, 67 Poems for down-trodden saints 1997 FMSBW (San Francisco) * The Portable Beat Reader, Elteld Anvlharters, ISBN -14243750-0 |
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